I.
Abstract & Textural
Expressive forms, layered surfaces, and movement.
For modern·luxury·minimalist interiors
Overwhelmed by Art.
An invitation-only house, so exceptional artists are collected while they are alive.
The Most Expensive Painting, 2024
by Stain
Original paintingsLiving artists onlySealed by thumbprintSee the works →
STENDHAL
Overwhelmed by Art
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Art for
the Space.
Chosen by palette,
mood, and place.
Six directions · Curated for interiors
Timeless styles, modern sensibilities. Discover the art styles interior designers choose most — from statement abstracts to serene landscapes, each piece selected to elevate the spaces you create.
The styles interior designers reach for most.
II.
Organic & Landscape
Nature interpreted through colour, atmosphere, and form.
For organic modern·Japandi·coastal interiors
III.
Neutral & Minimal
Quiet compositions in ivory, sand, taupe, stone and muted tones.
For refined·contemporary·serene spaces
IV.
Bold & Contemporary
Colour, geometry and statement-making compositions.
For modern·eclectic·hospitality spaces
V.
Figurative & Emotional
Human presence, gesture, and narrative.
For intimate·expressive·character-led spaces
VI.
Heritage & Contemporary
Cultural references reimagined through a contemporary lens.
For distinctive·collected·luxury interiors
The Wound
He sold almost nothing while he lived.
Vincent painted for a world that learned his name at his funeral — genius, recognised only once it could no longer be paid.
The world learned his name at his funeral.
The Fibonacci Circle
The house’s circle of collectors.
Those who collect living artists while they can still hear it. Not the estate, not the auction fifty years on — the artist, in the studio, told that the work was seen and wanted.
The circle is the house’s answer to the wound. It grows the way the sequence does: each seat added to the ones before it, never faster than the work deserves.
Collectors who stand beside a living artist before the world arrives.
What the circle holds
- First sight—New work reaches the circle before it reaches anyone.
- The living artist—You collect people who can still hear that you did.
- The Living Seal—Every piece certified by the artist's own thumbprint.
- The 23—The house's share. The artist keeps 77.
- The answer—A circle that closes the wound, one placement at a time.
- First sight—New work, seen here first.
- The Living Seal—Certified by the artist's thumbprint.
- The Registry—Your name, recorded beside the work under its seal.
Almond Blossom, Vincent van Gogh, 1890 · Van Gogh Museum, Amsterdam
The Living Seal
A signature can be forged.A thumb cannot.
Every work that leaves the house carries a certificate of its own.
Our guarantee of authenticity never expires. It passes with the work to every owner recorded in the Fibonacci Circle.
A recorded transfer keeps the chain unbroken. An unrecorded one breaks it.
The Living Seal · Register of impressions
One work. One hand. One colour.
Entries 0017 – 0023
Season 2026
Season 2026
STN · 0017
Bordeaux
Stain
STN · 0018
Verdigris
A. Marlow
STN · 0019
Lapis
I. Okafor
STN · 0020
Ochre
R. Vidal
STN · 0021
Ink
M. Ferreira
STN · 0022
Vermilion
T. Kaur
STN · 0023
Slate
E. Lindqvist
STN · 0017
Bordeaux
Stain
STN · 0018
Verdigris
A. Marlow
STN · 0019
Lapis
I. Okafor
STN · 0020
Ochre
R. Vidal
STN · 0021
Ink
M. Ferreira
STN · 0022
Vermilion
T. Kaur
STN · 0023
Slate
E. Lindqvist
A signature can be forged. A fingerprint cannot. Each artist presses their thumb in the colour they would choose for themselves, and the house records it. Years from now, when the artist is gone, it is how you will know they were here.
The impression, as it is pressed.
Thumb, in the artist’s own paint, on the certificate that stays with the work. The ridges are the record; the colour is the signature no one else could choose.
EntrySTN – 0017 – EV – 2026
ArtistStain
ColourBordeaux
MediumOil, thumb impression
Who we are
Somewhere right now, an artist is making the best work of their life, and no one will see it.
Not because it isn’t good. Because every platform buries it. Endless listings, hype at the top, the real thing three hundred scrolls down. The work gets found fifty years late, by someone who never met them.
We are two artists. We watched it happen. So we built the house we could not find — invite-only, because we only take work that overwhelms us both.
We were both born on the 23rd. The idea came on the 23rd. And the man we named it after — Stendhal — was born on the 23rd and died on the 23rd.
So the house takes 23%. The artist keeps 77%.
The Resonance Commission
Ask the house for the work you cannot find.
A room, a feeling, a wall that has been waiting. Write to us, and the house answers with the one artist, or the one work, that resonates.
Write to the houseHow a work enters
- The first look—A work is nominated — by its artist, or by a collector who cannot forget it.
- Both founders—We see it together. Where we can, in the room with it.
- If it overwhelms us both—It enters the house. If it moves only one of us, it does not.
- The Living Seal—The artist's thumbprint is set into the certificate. One work, one hand.
- The placement—The work goes to the collector it was meant for.
- The split—The house takes 23%. The artist keeps 77%.
- The first look—Presented by its artist, or by a collector.
- Both founders—It enters only if it moves us both.
- The Living Seal—Sealed with its artist's thumbprint.
